The Golden Age of Athens: History and Literature In this course we will trace the unprecedented intellectual innovation that begins with Greece’s triumph over the Persian invasions in 490 and 480-479 BC, continues through the emergence of radical democracy and imperialism at Athens, and culminates in the Peloponnesian War and Athens’ defeat in 404 BC by her former ally, Sparta. Through intensive study of selected works of historiography (Herodotus, Thucydides), tragedy (Aeschylus, Sophocles, Euripides), comedy (Aristophanes), and philosophy (Plato), we will explore the central concerns of 5th-century Athenians: freedom and power, knowledge and virtue, law and nature, and the place of the divine in the human world. 3 hr. lect., 1 hr. disc

Greek Tragedy A survey of selected tragedies by Aeschylus, Sophocles, and Euripides, exploring the relation between tragedy and political freedom and empire in fifth century B.C. Athens. The course examines the tragic poets' use of traditional Greek myths to question not only the wisdom of contemporary Athenian imperialism but also traditional Greek views on relations between the sexes; between the family and the city; between man's presumed dignity and his belief in gods. Mythical and historical background is supplied through additional readings from Homer and Thucydides. The course asks how the tragedians managed to raise publicly, in the most solemn religious settings, the kind of questions for which Socrates was later put to death. The course culminates in a reading of Aristotle's Poetics.

The New Testament in Narrative and Art: Considering the Aesthetics of the Christian Story For two millennia, the figure of Jesus has captivated the imagination of spiritual seekers around the world. In this course we will explore literary and theological dimensions of the New Testament with special attention to the Gospel as stories, while considering works of art inspired by its themes and characters across time. Paintings, cinematography, and literary narratives from The Protevangelium of James and Maximus the Confessor, to Dostoevsky, Kazantzakis, Sholem Asch, Saramago, Flannery O'Connor, and Marilynne Robinson, will invite the question: how have word and image shaped the understanding of the sacred stories and Christian imagination? Through close readings of the New Testament and exegetical discussion combining systematic with narrative theology, we will analyze style and composition, situate the texts in their historical context, and explore various readers’ perspectives, ancient and modern.

Senior Comprehensive Exam Intended for majors in literary studies preparing for the written section of the senior comprehensive examinations.

Senior Colloquium in Literary Studies Although it is required of all Literary Studies seniors, this course is intended for students working in any discipline who seek a close encounter with some of the greatest achievements of the literary imagination. In addition to being understood as distinctive artistic and philosophical accomplishments, the major works which constitute the reading list will also be seen as engaged in a vital, overarching cultural conversation across temporal and geographical boundaries that might otherwise seem insurmountable. The texts for this semester include Homer’s Odyssey, Aeschylus’ Oresteia, Cervantes’ Don Quixote, Dostoevsky’ Crime and Punishment, Pirandello’ Six Characters in Search of an Author, and Borges’ Ficciones.

Marc Witkin

Maria Hatjigeorgiou

Pavlos Sfyroeras

Read 1 review for Literary Studies courses at Middlebury College. Find the best Literary Studies professors and courses.  Discover your new major today!

Professor Maria is an Angel and anyone who has interest in the New Testament, Christianity, or religion in general should 100% take this course. The New Testament is truly fascinating and the papers and presentations truly have 0 restrictions in terms of topics of choice so you are free to present or write on what you find interesting and important to you.