The Way of the Ascetics: The Making of the Self in Christian Monasticism The practice of asceticism appeared in ancient Christianity as a movement striving for a deeper spiritual life and connection with the Divine. Men and women withdrew into the wilderness to become fully attuned to God, while engaging more empathetically with their human communities and the natural environment, and serving the poor and socially marginalized. We shall examine how their new model of living challenged the traditional formations of identity and power through cultivating a watchful mind and deepening awareness.  We shall also consider its possible relevance for our postmodern world. Readings will include Desert Wisdom anthologies such as “The Philokalia,” and works of American mystic Thomas Merton and novelist Annie Dillard.

Women and the Sacred in Late Antiquity and Byzantium This course will explore the female religious experience in Greco-Roman antiquity and Early Christianity.  We shall trace the transition from the mystery religions of Demeter and Isis in the Eastern Mediterranean to the cult of Mary the Mother of God (Theotokos) and the worship of female saints.  Drawing on a wide range of sources (hymns, saints' Lives, Apocryphal Gospels, Patristic texts, and icons), we shall study the varieties of female devotion and examine the roles available to women in the early Church: deaconesses and desert mothers, monastics and martyrs, poets and rulers.  Different theoretical approaches will enable us to ask a series of questions: were women in the early Church considered capable of holiness? To what extent did the female 'gifts of the spirit' challenge church authority?  What is distinct about the feminine experience of the divine?  Finally, we shall consider the vision and poetics of female spirituality in select modern poets.

The Journey Within: The Spiritual Pursuit in Literary and Mystical Traditions A fundamental teaching of the world’s religious and mystical traditions is that the source of love, the fulfillment of life, and the treasure of heaven are found within. With mystical and literary texts from antiquity to the present day as our guides, we shall explore themes such as the concept of the soul, the discovery of a deeper self, the spiritual awakening, and the nature of the mystical experience. Using both intellectual and experiential tools of inquiry, we shall consider questions related to religious and psychological experience such as: Where does the self reside? Why is it important to “know thyself”? What is the state of consciousness described as enlightenment? How does one rise above the sorrows and struggles of the world? Finally, we shall try to understand how ‘turning within’ may not mean fleeing away from the world; rather we shall explore the possibility that this direction might even mean engaging in the world around us in a more profound and meaningful way. Readings will include Plato, Marcus Aurelius, excerpts from the New Testament, Tolstoy, Emily Dickinson, Herman Hesse, J.D. Salinger, Martin Luther King Jr., and Mary Oliver.

Literature and the Mystical Experience In this course we will explore how narrative art articulates spiritual perception by examining selected works of 20th century writers such as Miguel De Unamuno, Nikos Kazantzakis, J. D. Salinger, Charles Williams, Flannery O'Connor, Thomas Merton, Alice Munroe, Marilynne Robinson, and Annie Dillard.  Drawing on theology and philosophy as an interpretative mode, we will consider the following questions: How does literature illuminate selfhood and interiority? How do contemplation and ascetic practice guide the self to divine knowledge and cosmic unification? How do language, imagery and symbols shape the unitive experience as a tool for empathy and understanding of the other?

The New Testament in Narrative and Art: Considering the Aesthetics of the Christian Story For two millennia, the figure of Jesus has captivated the imagination of spiritual seekers around the world. In this course we will explore literary and theological dimensions of the New Testament with special attention to the Gospel as stories, while considering works of art inspired by its themes and characters across time. Paintings, cinematography, and literary narratives from The Protevangelium of James and Maximus the Confessor, to Dostoevsky, Kazantzakis, Sholem Asch, Saramago, Flannery O'Connor, and Marilynne Robinson, will invite the question: how have word and image shaped the understanding of the sacred stories and Christian imagination? Through close readings of the New Testament and exegetical discussion combining systematic with narrative theology, we will analyze style and composition, situate the texts in their historical context, and explore various readers’ perspectives, ancient and modern.

Senior Comprehensive Exam Intended for majors in literary studies preparing for the written section of the senior comprehensive examinations.

Senior Colloquium in Literary Studies Although it is required of all Literary Studies seniors, this course is intended for students working in any discipline who seek a close encounter with some of the greatest achievements of the literary imagination. In addition to being understood as distinctive artistic and philosophical accomplishments, the major works which constitute the reading list will also be seen as engaged in a vital, overarching cultural conversation across temporal and geographical boundaries that might otherwise seem insurmountable. The texts for this semester include Homer’s Odyssey, Aeschylus’ Oresteia, Cervantes’ Don Quixote, Dostoevsky’ Crime and Punishment, Pirandello’ Six Characters in Search of an Author, and Borges’ Ficciones.

Maria Hatjigeorgiou

Reviews and ratings for Maria Hatjigeorgiou at Middlebury College.Maria Hatjigeorgiou teaches The Way of the Ascetics, Women and the Sacred, The Journey Within and more.  Explore top rated instructors and find the best for you.Is Maria Hatjigeorgiou good ? Find out on MiddCourses.

I took this class to satisfy my religion requirement, and I really enjoyed Maria's teaching style and her interest in the class. She doesn't really give a syllabus like in other classes, and the only work is that you are expected to email/go into her office with the occasional response about whatever you found interesting.

This class is good for a first year seminar, there's not a ton of work. The classes are completely discussion-based, you dont really even need to write notes. Professor Maria is VERY passionate about the material, and this can sometimes lead to the discussions kinda going off the rails. The work is very manageable, a couple essays and a book reading every week or two. Overall a good FYS course.