Introduction to Black Studies This course considers the issues, epistemologies, and political investments central to Black Studies as a field. We will explore chronologically, thematically, and with an interdisciplinary lens the social forces and ideas that have shaped the individual and collective experiences of African-descended peoples throughout the African Diaspora. This course is a broad survey of the history of chattel slavery, colonial encounters, community life, and social institutions of black Americans. We will address issues of gender and class; the role of social movements in struggles for liberation; and various genres of black expressive cultures. Students will develop critical tools, frameworks, and vocabulary for further study in the field. Course materials may include Maulana Karenga’s Introduction to Black Studies, C.L.R. James’s The Black Jacobins, and Hurston’s Their Eyes Were Watching God.

Themes in the Atlantic World, 1492-1900 Linking the Americas with Europe and Africa, the Atlantic has been a major conduit for the movement of peoples, ideas, technology, foods, and customs.  This course will explore four themes from the rise of European imperialism and African Slavery to the dawn of national consciousness and minority rights across the Americas. We will study four major themes: (1). Comparative European Colonization and the First Peoples; 2) Comparative Slavery and the Black Experience (3) Decolonization, National Consciousness, and Ideas of Freedom; and (4) Pseudoscience, Migrations and Creolization. We will draw on primary and secondary sources from the Anglophone, Francophone, Lusophone, and Hispanophone worlds to give us a broad comparative perspective. Pre-1800. 2hr/disc. with periodic film screenings.

History of Africa To 1800 This course offers an introductory survey of African history from earliest times to 1800.  Through lectures, discussions, readings, and films, we will explore Africa’s complex and diverse pre-colonial past.  Themes examined in the course include development of long-distance trade networks, the linkages between ecological change and social dynamics, the formation of large pre-colonial states, and the transatlantic slave trade and its impact on social and economic relations within Africa.  A broader concern in the course is how we have come to understand the meaning of “Africa” itself and what is at stake in interpreting Africa’s pre-colonial history.  Pre-1800.

History of Modern Africa We begin looking at revolutions in the early 19th century and the transformations surrounding the slave trade. Next we examine the European colonization of the continent, exploring how diverse interventions into Africans' lives had complex effects on political authority, class and generational dynamics, gender relations, ethnic and cultural identities, and rural and urban livelihoods. After exploring Africans' struggles against colonial rule in day-to-day practices and mass political movements, the last few weeks cover Africa's transition to independence and the postcolonial era, including the experience of neo-colonialism, ethnic conflict, poverty, and demographic crisis.

Education in the USA What are schools for? What makes education in a democracy unique? What counts as evidence of that uniqueness? What roles do schools play in educating citizens in a democracy for a democracy? In this course, we will engage these questions while investigating education as a social, cultural, political, and economic process. We will develop new understandings of current policy disputes regarding a broad range or educational issues by examining the familiar through different ideological and disciplinary lenses.

From Africa to the Americas: Moving from Our Core This course is an introduction to dance emphasizing the influence of traditions from the African Diaspora on contemporary modern dance. Technique sessions incorporate styles from West Africa and Central and South America with performance work. Discussion of readings on the history and current practice of movement forms originating in Africa, as well as on the work of artists developing fusion styles, supports written and creative work. Compositional studies explore the intersection between technique, history/theory, and performance.

Spacing In this course we will investigate physical structures encountered daily. Buildings, parks, and infrastructure constitute this built environment, reflecting their societies. But what could abolitionist architecture look like, or how might public space in the U.S. create new social relations? Through lenses of race, class, and gender we will build critical vocabularies around the practice of making space. We will focus on the historical and contemporary embodiment of power, race, and culture of the U.S. through the built environment. This studio class will then present a series of projects addressing basic three-dimensional construction and model making techniques. We will engage historical and contemporary artworks, urban planning, architecture, and poetry from perspectives of resistance to dominant modes of constructing space.

Notes from the Woodshed: Sculpture, Abstraction, and Improvisation This class takes its title from a book of writing by the black American visual artist Jack Whitten (1939-2018). Whitten’s title itself borrows from a tradition in jazz music, ‘the woodshed’ was a metaphorical place to practice, experiment and develop new ideas before taking them public. We engage the classroom as our own ‘woodshed’, creating sculptural form through close looking, response, and improvisation. Students will develop the basic skills and visual language for creating sculpture using wood, foam, Magic-Sculpt, and found materials. We will read Whitten’s book ‘Notes from the Woodshed’, and other texts that contextualize the rich histories of abstract sculpture made by black Americans in the 20th century. No former experience with art is necessary to take this class.

Ruins and Rituals In this course we will examine monuments, memorials, landscape, and cultural memory. The title comes from a 1979 sculptural work by the black feminist artist Beverly Buchanan. Buchanan has described her works as monuments made from earthen materials to remember acts of black resistance in the United States. We will also investigate recent actions to remove and destroy monuments to confederate soldiers and other figures related to colonial violence. This is a studio class incorporating material experimentation and research. Students will work at model scale using paper, wood, plaster, digital photography, and photoshop to propose (anti)monuments for our time.

Black Thought: Black Studies Theory In this course, we will explore some of the central themes and issues of Black Studies across the Black diaspora. We will ask: What is race and how has it functioned in the development of modernity, geopolitics, and selfhood? What constitutes blackness? How is it lived and expressed? What are the ideological and material legacies of slavery? What relationship does antiblackness have with capitalism, nation, and war? We will also investigate how (anti)blackness has shaped the lives and spaces of Black communities. We will read from texts such as W.E.B. Du Bois’ The Souls of Black Folk, Frantz Fanon’s Black Skin, White Masks, and Patricia Hill Collins’ Black Feminist Thought.

Race, Rhetoric, and Protest In this course we will study the theoretical and rhetorical underpinnings of racial protest in America. We will begin by studying movements from the 1950s and 1960s, moving from bus boycotts to Black Power protests, and will build to analyzing recent protests in Ferguson, Dallas, and New York. Readings will include texts from Charles E. Morris III, Aja Martinez, Shon Meckfessel, Gwendolyn Pough, and various articles and op-eds. Students will write analyses of historical and contemporary protest, op-eds about the local culture, and syntheses on the course readings. 3 hrs. Lect

Race, Racisms, and the Visual: Black American Visual Cultures In this course we will study visual cultures, performance, and digital media in relation to (anti-)Blackness and Black communities in the United States. We will pay particular attention to gendered and sexualized understandings of race and racisms within visual planes. An interdisciplinary and multimedia approach to the subject matter asks students to develop critical reading and engaged listening skills, as well as foster the ability to deploy critical thought in written, creative, and oral forms. Students should leave the course able to apply core concepts of Black visual studies into their academic work as well as their lives outside of the classroom.

Culturally Responsive Policy and Pedagogy Building on the work of Gloria Ladson-Billings’ culturally relevant pedagogy, Django Paris developed a theory of culturally sustaining pedagogy that “seeks to perpetuate and foster—to sustain linguistic, literate, and cultural pluralism,” for students in schools (Paris, 2012). In this course we examine how teachers might sustain and support students in classrooms and how educational policy might better address and respond to the rich diversity in our schools and communities. This is a required course for all students seeking a Vermont teaching licensure.

Race and American Literature After Civil Rights In 2025 literature by and about the racially minoritized exists at a paradoxical juncture: institutionalized and censored, feted as an instrument of consciousness-raising and denounced as woke and reverse-racist. In this course we will ask how we got here by exploring how writers of color from the 1960s onwards fought to enter the literary mainstream – a struggle broaching difficult questions about the relation between creative and political aspiration. Would these writers counter stereotype with empowering representation or refuse the burden of racial representativeness? Would they address white readers unfamiliar with racism or non-white readers already acquainted with its realities? And what would it mean for such aspirations to succeed against the backdrop of ratcheting inequality in and across the color line? Authors include Gloria Anzaldúa, Percival Everett, and R.F. Kuang.

Slavery and Freedom in the American North In this course we will study how the “American North,” constituted by New England, New York,  New Jersey, and Pennsylvania, became a place of enslavement. Although often treated as a cradle  of freedom, we will explore how the region’s colonists imported African slaves and enslaved and  exported Native Americans. Through lecture, discussion, and primary sources, we will examine the transatlantic slave trade of Africans and Native Americans, the communities built by enslaved  and free people, the impact of the American Revolution, the creation of gradual abolition statues,  and the perpetuation of enslavement until the Civil War. We will also grapple with the role of  memory in history, as the region’s slaveholding past is often ignored by its inhabitants.

The N Word: Nature, Revisited What do voices from American History, both past and present, reveal about the way race, and privilege shape how we understand conservation, climate change and environmental justice today? How does your voice matter in this current moment? We will consider the foundations of environmental ideas and attitudes. In particular, in this current climate where Black Lives Matter and systemic racism are central in our conversations about place and space, we will explore the construction of environmental narratives and how race impacts environmental participation. In addition, we will explore how representations of the natural environment are structurally and culturally racialized within environmental institutions and the media by engaging in “conversations” with environmental icons such as John Muir and other historical and contemporary figures such as Zora Neale Hurston and  James Baldwin.

African Cinema In this course we will examine how films written and directed by African filmmakers address the evolving identities of post-colonial Africans. Students will explore the development of various national cinemas and the film movements that helped define African cinema as a tool for cultural expression and social change. We will pair film studies, post-colonial studies, and African studies readings with a diverse selection of films from across sub-Saharan Africa, from Senegal’s 1967 Black Girl (Ousmane Sembene) to the 2018 Netflix-produced Nigerian “Nollywood” film, Lionheart (Genevieve Nnaji). 3 hours lect./3 hours screen.

African American History In this course we will examine the history of African Americans from the rise of the transatlantic slave trade  to the present. The course will reveal how African Americans actively shaped their history and the history  of the United States as an American nation. We will explore topics such as the Middle passage, African American slave cultures, enslaved resistance, emancipation, the rise of legalized segregation, mass migrations, and the  continuing struggles for equality. We will approach the subject matter using a variety of primary and secondary sources that focus on the experiences of individuals such as enslaved narratives, autobiographies, documentaries, and oral histories.

Black American Cinema In this course we will examine various representations of Blackness in American Cinema, from Oscar Micheaux’s early silent films to Ryan Coogler’s Black Panther. While we will primarily focus on films written and/or directed by African-Americans, we will also study the social, cultural, and political impact of Hollywood ideas and images of Black people and how they changed over time. Through a framework of both film theory and critical race theory, students will analyze how Black creative expression has manifested itself through film, influencing both form and content. 3 hours lect./3 hours screen

Power (Race) and Space in French and Francophone Narratives How do French-speaking poets, writers, artists, and filmmakers engage with the notion of power and race in public and private spaces? What tools enable us to unpack, understand, and even theorize their reflections on relations in the societies and cultures they depict?  In this bridge course between the language program and advanced classes, we will refine our written and spoken French as we learn to interpret diverse texts and cultural artifacts from the Francophone world with texts from the 19th to the 21st centuries. Classes will be discussion-based to allow students to share their impressions, and  will expand their thinking through writing and reflection-based assignments. Writers will include Léopold Sedar Senghor, Guy Tirolien, Maryse Condé, Charles Baudelaire and Mariama Bâ. (FREN 0209 or placement).

The Caribbean Novel: Constructing a Diasporic Identity In this course, we will examine essays, novels, and artworks of Caribbean-heritage creatives to explore the vital role that artistic production has played in creating different worldviews. These novels and artwork explore issues such as decolonization; migration; racial, class, and gender identities; language; diaspora; and notions of “home” and belonging. Through these investigations, students will comprehend how the legacies of colonialism and the social constructions of race, class, sexuality, ethnicity, and gender are necessary points of analysis to understanding intersectional oppressions and narratives of resistance throughout the Caribbean and its diaspora.Writers may include Barbadian-American Paule Marshall, Dominican-American Julia Alvarez & Junot Díaz, Haitian-American Edwidge Danticat, and Jamaican-American Jonathan Escoffery. Visual and performance artists may include Myrlande Constant, Louisiane Saint Fleurant, Edouard Duval-Carrié, Scherezade García, Belkis Ramirez, Lucía Méndez Rivas, Tania Bruguera, Coc Fusco, Jose Bedia, and Luis Manuel Otero Alcántara.

A Black Sense of Place: Black Geographies Black feminist geographer, Katherine McKittrick, defines Black geographies as “subaltern or alternative geographic patterns that work alongside and beyond traditional geographies and a site or terrain of struggle” (2006, 7). This Black studies approach structures analyses of geographies across the Black diaspora in this course. Students will explore the relationships between race, racisms, space, and place through an interdisciplinary examination of the intimate, the material, the political, the body, and the collective as “sites of struggle.” We will read from texts such as Clyde Woods’ Development Drowned and Reborn: The Blues and Bourbon Restorations in Post-Katrina New Orleans and Erica Lorraine Williams’ Sex Tourism in Bahia: Ambiguous Entanglements.

Blackness and the Arab Imaginary (In English) Blackness as a category of analysis in the Middle East and North Africa, while fundamental to opening the field to the study of race and the legacies of slavery, remains understudied and deserving of critical attention. In this course we will explore the historic and political category of “blackness” and examine how black identities are constructed in the cultural and epistemological production of the Arab world and the Arab Diaspora through literature, critical scholarship, music, and cinema. We will address imperial and transnational dimensions of blackness as well as its increasing relevance for understanding new racial configurations in the contemporary Middle East and the Arab Diaspora.

Pan-African Political Philosophy In the late 1890s and early 1900s, a network of intellectuals from the Black Diaspora, horrified by the continued expansion of European colonialism into Africa, emerged to explain major developments in world politics. As they argued, colonialism replaced indigenous systems with European-style states, structured the international political economy, and shaped the emergence of contemporary racial divisions. We will read philosopher Charles Mills’s The Racial Contract, The Philosophy and Opinions of Marcus Garvey among others to ask: How did racism shape capitalism? What are the metaphysics of racial identity? Can Black people find liberation in post-colonial states? We will see how pan-African philosophy adapted to international events, such as the end of WWI, WWII, the UN, and eventual independence from colonialism.

African American Drama In this course we will respectfully investigate African American performance and theatre history since the late 19th century by exploring works of playwrights such as W.E.B. Du Bois, Zora Neale Hurston, Amira Baraka, Adrienne Kennedy, August Wilson, and Brandon Jacobs-Jenkins. We will also engage with theoretical essays by Alain Locke, Henry Louis Gates, Jr., Patricia Hill Collins and more, that illuminate how, despite centuries of lethal stereotyping, the stage has been and continues to be a forum for self-representation, unification, resistance, and liberation. Guest artists will provide firsthand accounts in conversation with the students. Dramaturgical and critical responses to the materials will strengthen production interpretation and design skills.

African American Literature This course surveys developments in African American fiction, drama, poetry, and essays during the 20th century. Reading texts in their social, historical, and cultural contexts—and often in conjunction with other African American art forms like music and visual art—we will explore the evolution and deployment of various visions of black being and black artistry, from the Harlem Renaissance through social realism and the Black Arts Movement, to the contemporary post-soul aesthetic. Authors may include Langston Hughes, Zora Neale Hurston, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, Amiri Baraka, Ishmael Reed, Toni Morrison, Charles Johnson, and Octavia Butler. This course may also be counted as a general elective or REC elective for the ENAM major. 3 hrs lect./disc.

The Black Experience in Games and Gaming Whether they allow the player to reenact historical events or explore alternative histories, many current board games and video games use historical settings as their backdrop. In this seminar, we will examine how Black experiences are represented in these games. How do games depict and interact with African American history, colonialism, and histories of the Black diaspora? How are these histories gamified, what can games teach about these histories, and how do we as players experience these interactive narratives? After familiarizing ourselves with the historical settings and events through academic readings, we will play and analyze a variety of board games and video games that engage with Black histories. While the focus of the class is the representation of these histories in games, we will also examine the experiences of Black gamers and Black game developers in gaming communities and the gaming industry.

Re-Presenting Slavery In this course we will examine 20th century American portrayals of chattel slavery through creative works and situate them in their historical contexts. Working primarily with fiction (Oxherding Tale, Kindred, The Underground Railroad), film (Mandingo, Django Unchained, Twelve Years a Slave), television (Roots, Africans in America, Underground), and visual art (works by Jacob Lawrence, Romare Bearden, and Kara Walker), we will evaluate how those various representations of the “Peculiar Institution” have changed, and/or have been changed, by the cultural moments in which they appeared. This course may also be counted as a general elective or REC elective for the ENAM major. 3 hrs lect.

Black German History Although more than a million people in Germany identify as Black, Germany’s Black community and its history remain largely invisible in public discourse, historiography, and collective memory. In this course we will examine the history of Blacks in Germany from colonialism to the present. We will discuss early encounters of Africans with Germany, Germany’s brutal colonial ambitions, Black communities in early 20th century Germany and during National socialism, the histories of Black communities in East and West Germany after World War II (including their connections to the U.S. Civil Rights Movement), and the emergence of an Afro-German identity from the 1980s until today.

Make Room: Teaching August Wilson August Wilson has been hailed as “Theater's Poet of Black America,” yet many students have little exposure to this theatrical and literary giant. In this course we will explore Wilson’s "Century Cycle" a collection of 10 plays-each set in a distinct decade- that portray African American experiences in the twentieth century. We will take an interdisciplinary approach to reading, analyzing, staging (where possible), and understanding Wilson’s work. We will explore key influences on Wilson’s work including the blues, The Black Arts Movement, visual artist Romare Bearden, essayist and fiction writer Jorge Luis Borges, and playwright/poet Amiri Baraka among others. We also will engage with visiting artists, scholars, teachers, and community members as we consider Wilson's impact and the importance of teaching and studying his work. 3 hr. lect.

Struggles for Change in Southern Africa In this course we will examine the tumultuous period of social struggle in southern Africa in the decades following World War II. Major topics to be covered include: the rise of apartheid and the mobilization of anti-apartheid resistance in South Africa; the liberation struggle against white settler rule and its legacies in post-colonial Zimbabwe; the fight for freedom from Portuguese colonialism in Mozambique; and Mozambique’s protracted civil war following independence. A central purpose of the course is to explore how these different arenas of struggle transformed individual lives and social relations in complex and diverse ways, generating enduring impacts and challenges within the region. (formerly HIST/BLST 0375)

Aesthetics of Freedom: Arts of the Harlem Renaissance In this lecture-based course, students will be introduced to the Harlem Renaissance, which is sometimes referred to as the “New Negro Movement,” a period from 1920-1940. Students will be introduced to the major intellectual and social issues of this period in American history. Specifically, students will delve into the works of prominent Harlem Renaissance visual artists and multiple written genres including critical essays, poems, and novels, and artworks. While exploring these visual and literary artists and their work we will probe the impetus behind and meaning and legacy of a period in American history that saw a surge of African American artistic and cultural expressions.

Modern Brazil Brazil is the Portuguese-speaking power of Latin America. In this course, we will study the history of modern Brazil from independence to the present day, and discuss the contemporary developments that have transformed Brazil into an international force today. The class will pay close attention to the construction of national institutions, racial and national ideologies, and the celebration of national culture. We will also study Brazil’s impact on the world, from its export of cultural products in cinema, music, and literature in translation, to soccer. It will be important to study the communities of Brazilians in diverse places such as Miami, New York, London, and Paris. We will utilize various writing, oral, and digital methods to examine the major political, economic, and cultural movements that defined Brazilian history from the creation of the empire in the 1820s to the political and cultural tensions of the current regime 3 hr. lect.

Introduction to Queer Critique In this course we will examine what is meant by queer critique through exploring the concepts, issues, and debates central to queer theory and activism both in the U.S. and around the world. We will work to understand how queerness overlaps with and is distinct from other articulations of marginalized sexual subjectivity. We will consider how desires, identities, bodies, and experiences are constructed and represented, assessing the ways in which queer theory allows us to examine sexuality and its raced, classed, gendered, geographic, and (dis)abled dimensions. Through engaged projects, we will practice how to translate and produce queer critique.

Models of Inclusive Education In K-12 education, the term "inclusion" is often reduced to where students with apparent disabilities learn within schools. In this course, we will challenge the segregation of students with disabilities in schools while expanding notions of inclusion such that students' multiple identities are incorporated into learning. Students will be introduced and provided opportunities to design lessons using a Universal Design for Learning framework. We will utilize DisCrit (Disability Studies and Critical Race Theory) as a theoretical tool to explore how ableism and racism stand in the way of equitable education for many students while exploring theories, methods, and approaches to disrupt such marginalization and lead to inclusive antiracist educational practices.  (EDST 0115 or SOAN 0215 or SOCI 0215 or AMST 0105).

Black Studies Methods In this seminar, we will explore the historical formation, philosophical debates, and methodological basis of Black Studies. Students will gain a deeper understanding of both the central issues and the range of methodological strategies that have helped shape the field since its inception in the late 1960s. Particular attention will also be paid to community-engaged/informed work and activist-scholarship, as well as debates on the role, form, and function of such praxis-based methodological and epistemological stances. Recommended for juniors and seniors. Emphasis will be given to preparing students for independent inquiry in the field. (BLST 0101 and BLST 0201) (BLST majors and BLST minors or with instructor approval) 3 hrs.sem.

African Diaspora and the Sea In this course we will study the diversities and commonalities of African diaspora communities from a global perspective. We will focus on the enduring cultural monuments, legacies and other signposts and migrations across global empires and national borders. We will study issues of belonging, and the economic and cultural imprints in the modern era (1800-present). Examples will be drawn from three geographical regions:  1. North American coastal cities such as New York, Miami, and Halifax 2. Caribbean and Latin American coastal cities from Havana to Rio de Janeiro 3. Mediterranean and Euro-Atlantic ports such as Bristol and Marseille While most of our case studies focus on sub-Saharan African diasporas, (including Afro-Caribbean, African-American, and Afro-Latin@s), the class will also make comparisons with North African diasporas. Students will be able to apply the themes of the class to African diasporas in other geographical regions around the world including Eastern Europe, China, and Southeast Asia.

African American Activism in Education In this course we will examine how Black activists have fought against inequity and contributed to social change in and through education. After discussing fights for access to education – and the use of education for change – in the 19th and early 20th century, we will focus on the Civil Rights and Black Power Era. We will examine struggles for desegregation, integration and community control, initiatives such as the Mississippi Freedom Schools and independent Black Power schools, as well as activism on college campuses. We will conclude by contextualizing current struggles in education within the long fight for Black freedom and equal education.

XICANXRIBEÑXS: Our Stories, Our Worlds In this course we will study how Chicanos/Xicanxs and Hispanic Caribbean communities have organized networks of solidarity to overcome oppression and work towards liberation. The Spanish portmanteau “XICANXRIBEÑXS” is an ode to the famous Revista Chicano-Riqueña that evolved out of the Civil Rights Movement and the rise of Ethnic Studies in the 1960s and early 1970s. We will examine their de/colonial histories, contentious status as diasporic communities, and literary and artistic legacies. Some topics may include Latinx print culture, Gloria Anzaldúa’s mestiza feminism in relation to Afro-Caribbean feminisms, and musical cultures from bomba and fandango to Selena and Cardi B.

Race, Capitalism, Decolonization What does race have to do with capitalism and profit, exploitation and dispossession?  Drawing on contemporary fiction, poetry, and theory, we will consider the intersections of race and capitalism in shaping contemporary epistemologies, institutional practices, and lived experiences in local and global contexts. We will explore how present-day formations of race and capitalism are related to histories of imperialism and the global extraction of labor and resources.  Decolonization implies a deep, complex, and multi-faceted process by which the discourses, knowledges, and practices at the core of capitalism and imperialism(s) and their mechanisms of oppression are challenged and dismantled. Please note that, if circumstances require, this course may occasionally be taught remotely.

Health and Healing in African History In this course we will complicate our contemporary perspectives on health and healing in Africa by exploring diverse historical examples from the continent's deep past.  Our readings, discussions, and papers will cover a range of historical contexts and topics, such as the politics of rituals and public healing ceremonies in pre-colonial contexts, state and popular responses to shifting disease landscapes in the colonial era, long-term cultural and economic changes in healer-patient dynamics, the problematic legacies of environmental health hazards in the post-colonial period, and Africans' engagement with global health interventions in recent decades.

White People White people did not just appear out of nowhere. Instead, they are the result of a long history of structural and everyday racism that was always intertwined with class, sex, sexuality, and nation. We will explore how whiteness became a foundational category for citizenship in the US, especially after the Civil War when the Color Line was drawn through the legal, cultural, and spatial practices of Jim Crow. We will consider how "new immigrants" and even white "trash" became white primarily through the exclusion of Black Americans. Finally, we will look at the formation of whiteness today as a site of privilege, aggrieved entitlement, and violence.

South Africa in the World Despite the unique trajectory of the rise and fall of apartheid in South Africa, scholars have increasingly moved away from viewing the country’s past as exceptional or isolated from broader world historical developments.  Taking up this challenge, our course will explore some of the significant global and transnational dimensions of the making of modern South Africa over the past few centuries.  Some of the major topics will include: the expansion of different strands of European colonialism and missionary work; Africans’ engagement with transnational imperial networks; the wider international influences behind the state’s creation and implementation of apartheid; and popular resistance against apartheid and how it intersected with global activist movements.

The University and its Others In this course we will examine the history of Black Studies by asking fundamental questions about the modern university: what it is, who it is for, and what it might yet become. After surveying its entanglements with slavery, settler colonialism, and capitalism, we will examine how Black students and faculty fought, in the 1960s, to overhaul the institution’s social structure and ways of knowing. We will examine the challenges – from partisan backlash to political containment and professional self-interest – that arise from the institutionalization of these efforts in research and teaching programs like our own at Middlebury. Finally, we will examine how Black Studies has braved the turn to indebtedness and privatization animating higher education today.

Race, Medicine, and Health in U.S. History In this course we will explore the historical relationships between race, medicine, and public health in  the United States from colonial times to the present. Through a series of case studies that include  epidemics such as smallpox, yellow fever, and COVID-19, we will trace the origins of racial  classification and its impact on medical care. Our topics include the management of illness in colonial  times, the relationship between medical schools and slavery, the eugenics movement, immigration restrictions, the use of minorities as experimentation subjects, the fight against medical discrimination, and the current struggles for health care access. We will approach these subjects through sources such  as scholarly publications, diaries, documentaries, medical journals, oral histories, and print media. 2  hrs lect./1 hr. disc.

African Stories, African Histories: Contemporary Francophone African Literature and Film In this course students will be introduced to Africa’s complex history through fictional recounts by African creatives. Students will be exposed to African storytelling styles, remarking how African writers transpose traditional oral techniques into written French narratives. Students will hone their literary analytic skills while improving their written and oral skills in the French language. Students will interrogate how we can retrace Africa’s historical trajectory through its literature and film. We will examine themes of oppression and resistance, trauma and healing in contemporary Francophone African literature and films.  Creative works will include: the film Karmen Geï (2001), directed by Joseph Gai Ramaka; the film La nuit des rois (2020), directed by Philippe Lacôte; the novel Notre Dame du Nil (2012) by Scholastique Mukasonga; the novel Les arbres en parlent encore (2002) by Calixthe Beyala.

The Black Lusophone Atlantic (in English) In this course we will examine the histories, power struggles, and cultural formations in Portuguese-speaking spaces of the African Diaspora. The Lusophone, or Portuguese-speaking world, encompasses four continents as a lasting legacy of Portuguese imperialism and the trafficking of enslaved people. Working across and against disciplines, we will critically engage with Black decolonial worldmaking in these spaces and across periods as we re-evaluate and dismantle this so-called Lusophone world and other imperialist geographies. In the process, we will examine connections between Black life in Angola, Brazil, Cape Verde, Portugal, and more over the last six centuries; and also how Black life re-historicizes these spaces and times.

Welfare Queens and Tiger Mothers: Racial and Gender Formation in Late Modernity From anxieties about Chinese bachelor societies to Daniel Patrick Moynihan's description of the Black family as a "tangle of pathology," the production of race works through ideas about (im)proper gender and kinship. In this course we will examine this dynamic in the post-1960s U.S., where African-Americans are represented as the pathological absence of these social forms – and Asian-Americans as their celebrated presence. We will explore how racial tropes like welfare queens, model minorities, and tiger mothers express transformations in the economy (from industry to service), state (from welfare to mass incarceration), higher education (from public to private good), and geopolitics. Finally, we will ask how African- and Asian-Americans reproduce and revise these scripts in pursuit of national belonging, interracial solidarity, and other horizons.

Race, Embodiment, and Transgression (in English) What does it mean to inhabit a racially ordered world in/as a racialized and gendered body? How are body, space, knowledge, and power racially entangled? Whose space and whose knowledge? These questions will be our launchpad towards understanding the complex relationships between racial power and embodiment, and how racism operates corporally. Drawing on Black feminist thought, queer of color critique, and decolonial thought, we will rethink the connections between body and being within the parameters of white supremacy/patriarchy as well as imagining modes of embodiment that deconstruct and transgress racist, gendered, and ableist orders of power and being. We will engage literary works, visual arts and media (film, painting, sculpture), music (song, video), sports, and performance cultures (theater, dance, fitness culture) from across the world. Taught in English.

Everyday Life in South Africa, Apartheid and Beyond In this course we will explore some of the social worlds of South Africans amid the country’s recent decades of turbulent and dramatic change. We will look at how different groups within the nation’s diverse population have understood and experienced the rise of the apartheid system, its demise, and its legacies in their “everyday” lives and interactions. The course will draw from various sources – non-fiction, fiction, film, and other forms of popular culture -- to interpret these social dynamics and their ongoing significance in a post-apartheid society.

Afro-Caribbean Music Genres In this course we will study Afro-Caribbean music genres (eg, reggae, mambo, salsa, merengue, reggaeton, and calypso) and their impact within the region and on the global stage. Our main goal will be to compare the contested theoretical concept of cultural hybridity among the larger Caribbean nations (Haiti, Cuba, Jamaica, Puerto Rico, Trinidad and Tobago, and the Dominican Republic) and their diasporas. We will also explore how Caribbean musicians and superstars work within the global infrastructure of the music/dance industry, while occasionally managing to counter the hegemonic erasure of the legacy of Black rebellion, worker revolution, nationalism, and racial/gender politics. (SPAN 0220 or 300 level Spanish course) 3 hrs. lect

Hispanic Athletes: Sports, Nationalist Culture, and the Global Media In this course, we will study sports as an essential part in the construction of nationalist pride and perceptions of race, class, and gender in several Hispanic nation-states and subcultures in Europe and the Americas.  We will analyze fictional narrative content such as literature and films (Pepe el Toro, Sugar, Black Diamonds, and many others). In addition, we will also explore how media outlets such as newspapers, magazines, videogames, documentaries, and the internet affect our perceptions of sporting events and their superstars to create controversies, support hegemonic nationalist ideas, and further the commercial ambitions of corporations.

Reading, Slavery, and Abolition In this course we will study both black and white writers' psychological responses to, and their verbal onslaughts on, the "peculiar institution" of chattel slavery.  We will work chronologically and across genres to understand how and by whom the written word was deployed in pursuit of physical and mental freedom and racial and socioeconomic justice. As the course progresses, we will deepen our study of historical context drawing on the substantial resources of Middlebury's special collections, students will have the opportunity to engage in archival work if they wish.  Authors will include Emerson, Douglass, Jacobs, Thoreau, Stowe, Walker, and Garrison. This course may also be counted as a general elective or REC elective for the ENAM major.

Black Queer Studies What does sexuality have to do with race? Does racialization inform much of what we understand about gender? Black queer/trans life and thought speaks to much of these concerns. We’ll be challenged to think through ways that oppressions like anti-Black racism, misogyny, and homo/transphobia operate against (and even within) Black queer and Black trans communities, as well as the ways in which these communities respond and create their own theories/practices of life & joy through an examination of Black queer studies that looks across the African diaspora for theories and methodologies which span a range of social, political, and cultural geographies.

Literatures of the Black Lusophone Atlantic We will think with and learn from Black writers of the Lusophone world across historical periods including enslavement, post-abolition, colonialism, and post-independence, as well as across Africa, the Americas, and Europe. Through writers such as Machado de Assis, Paulina Chiziane, Conceição Evaristo, Odete Semedo, and Yara Monteiro, we will also critically interrogate the reproduction of anti-Blackness and coloniality while imagining worlds and forms of being beyond it. Topics and theoretical concerns will include aesthetics, Black artistic movements, Black feminist thought, postcolonial/decolonial studies, queer of color critique, migration, state violence, neoliberalism, and more. Readings will come mainly in the form of short stories, written/spoken/sung poetry, theoretical essays, and two short novels. (PGSE 0215) Lect/disc.

Life of the Party: Queer of Color Nightlife For many, nightlife spaces offer an alternative to the racial, gender, and sexual norms which we are socialized into and expected to follow in the light of day. From bars/clubs to pop-up parties to ballroom, nightlife scenes have been integral to exploration, discovery, and gratification in the lives of queer and trans Black people and other people of color. Through Black Studies approaches to race, gender, sexuality, and performance, we will examine how nightlife functions as pleasure, experimentation, artistry, and, crucially, work for many queers of color. We may read from texts such as Kemi Adeyemi’s Feels Right: Black Queer Women and the Politics of Partying in Chicago and Kareem Khubchandani’s Ishtyle: Accenting Gay Indian Nightlife.

Seeing Double: Ideas of Duality in Sub-Saharan African Art From idealized sculptural pairs to hermaphroditic figures, ideas of doubling and duality are enduring concerns in many sub-Saharan African cultures. In this seminar, we will explore this theme by closely analyzing artworks from Mali to Madagascar from the 12th to the 21st century whose iconography features couples and dualistic imagery as well as bipartite figurative and masquerade traditions, among others. Through weekly readings, written and verbal reflections, and museum visits, we will elucidate relationships between the objects and the worldviews that inspired them. Culminating in a virtual group exhibit and complementary individual research papers and presentations, we will learn how these artworks make visible powerful abstract forces that influence the behaviors, well-being, and lives of their users.

The Long Struggle for Civil Rights and Black Freedom The modern civil rights movement is the central focus of this course, but it offers more than a survey of events from Montgomery to Memphis. It explores the pre-World War II roots of the modern black freedom struggle, the complex array of local, regional, and national initiatives in the 1950s and 1960s, the competing strategies for empowerment offered by Martin Luther King Jr., and Malcolm X, and developments since the 1970s, including the rise of Black Lives Matter.  This course employs a "race relations" perspective, stressing the linkages among the experiences of African Americans, whites, and other groups.  2. Hrs. lect., 1 hr. disc.

Women in the Black Freedom Struggle The Civil Rights and Black Power Movements have become iconic examples of Black activism in the US. However, female activists are often ignored in historical accounts of these movements. In this course, we will examine the contributions of Black female activists to the Black Freedom Struggle. We will discuss women in the Civil Rights Movement both in the South and the North, the role of women in the Black Panther Party, but also the active involvement of women in white supremacist campaigns in the South. We will pay special attention to the diversity of Black women’s perspectives and highlight how Black women’s experiences differed from both white female and Black male activists.

Struggles for Change in Southern Africa In this course we will examine the tumultuous period of social struggle in southern Africa in the decades following World War II.  Major topics to be covered include the rise of apartheid and the mobilization of anti-apartheid resistance in South Africa and Namibia; the liberation struggle against white settler rule in Zimbabwe; the fight for freedom from Portuguese colonialism in Mozambique; and Mozambique's protracted civil war following independence.  A central purpose of this course is to explore how these different arenas of struggle transformed individual lives and social relations in complex and diverse ways, generating enduring impacts and challenges within the region.

Colonial Commodities & Slavery in the Americas In this course, we will examine the development of extractive economies and the relationship between colonialism, consumption, and forced labor in colonial north and South America. Using a comparative approach, we will survey how commodities such as cacao, cotton, coffee, gold, silver, sugar, and tobacco shaped African and Native slavery across the continent. Our topics will include the development of price systems for enslaved people and goods in the world economy, the emergence of ideas regarding racial differences and their relationship with forced labor, how enslaved people resisted their enslavement, and the abolition of slavery across the Americas. Students will examine primary sources such as financial records, slave narratives, historical price indexes, and scholarly monographs. Pre-1800. 3 hr sem.

Community-Engaged Work in Black Studies Speaking of scholarship and activism, scholar and chronicler, Manning Marable, argued: “Scholars have an obligation not just to interpret, but to act.” In this experiential course, we will explore debates on and legacies in activism and action within Black Studies. Students will prepare for and then participate in community-engaged activism which takes seriously the calls and debates within Black Studies to inform our knowledge through action and vice versa. The seminar component of the course will be used to reflect among peers on the dialogic relationship between theory and practice. Students' community work plans will be developed under the supervision of faculty.

Mapping Migrations in the Modern Era In this course, we will study the scientific, medical, and technological histories that shaped modern migration and migration policy in the European Atlantic and the Americas. The experiences of African-descendants and other colonized subjects will allow us to understand the ‘migration industry complex.’ We will analyze pseudoscientific notions about race, gender, and social order under Empire, and their impact on enslaved and indentured labor migrants to/from and across the Americas. We will uncover the epidemiological aspects of migration in places transformed by multinational technological capitalist projects in countries such as Brazil and Panama. We will also study medical practices in migration processing centers and the relationship between migration and mental health using case studies including exiles and climate migrants in the contemporary period.

Blacklisted: Surveillance, Race, and Gender The fields of Black studies, feminist geographies, and surveillance studies are brought together in this course to examine transformations in geographic and social control in U.S. and transnational contexts. The ways in which racialized and gendered populations have experienced and continue to experience geopolitical domination and surveillance constitutes the central theme of the course. Students will develop collaborative and independent research skills. Topics of inquiry include: the trans-Atlantic slave trade; prisons and policing; education; (anti-)surveillance technologies; airports and borders. We may draw substantially from texts such as Simone Browne’s Dark Matters: On the Surveillance of Blackness and Toby Beauchamp’s Going Stealth: Transgender Politics and U.S. Surveillance Practices.

Black Feminist Thoughts In this course we will study the development and materialization of Black feminist theories and ideologies within historical, social, political, and cultural contexts through the discussion of literary texts, theoretical and historical essays, and visual arts. This course will map feminist theory and practice as a heterogeneous field of knowledge encompassing multiple streams of gender- and race-cognizant articulation and praxis as developed by Caribbean, African, Afro Latina, and Black British feminists across the Black Atlantic and African Diaspora. BLST101 or BLST201 or BLST301 or GSF200 or GSFS210.

Black Middlebury The Black Studies Program at Middlebury College was officially established in 2019. However, (Black) students, faculty, and staff have worked toward the inclusion of Black histories and experiences in Middlebury’s curriculum and toward establishing spaces for Black members of the Middlebury community since, at least, the 1970s. In this research seminar, we will examine the experiences of Black Middlebury students, faculty, and staff as well as their efforts to organize and carve out space at Middlebury College in the 20th and 21st century. Based on secondary literature, we will contextualize the Black experience in US higher education more broadly. Then, students will work with primary sources located in Special Collections (Davis Family Library) and conduct oral histories with members of Middlebury’s Black community and activists involved in the struggle for Black Studies at Middlebury. To preserve these histories, we will create an archive and exhibit findings in the form of small media projects. (Open to sophomores, juniors, and seniors, 3 hrs., seminar

Universities and Slavery in America In this seminar we will explore and compare the different histories of enslavement at schools across the  country from colonial times to the present. Some of the questions we will answer include: what was the  importance of slavery in the development of higher education? How did people experience enslavement in  schools? How did universities perpetuate slavery culture? The class will also consider the emerging debates  over reparations and restorative justice and the role of students in these developments across the country. Using our knowledge of other institutions, students will research Middlebury’s place in this history.

Race in the Digital How do we perceive race online? Have digital spaces opened paths for new or different circulations of racisms? Working from a Black Studies approach, we shall investigate how race and racisms have persisted, transformed, and become imbedded in the digital technologies and virtual spaces of our contemporary era. Topics of exploration might include: social media, data-tracking, digital blackface, algorithmic bias, and design justice in tech. As this course centrally deals with questions of digital space and place, we will regularly situate instruction, learning, and community-making through digital tools and technologies. We may read from texts such as Ruha Benjamin’s Race After Technology: Abolitionist Tools for the New Jim Code.

Introduction to Swahili and East African Culture This course introduces students to Swahili, the lingua franca of East Africa.  Students will acquire a foundation for speaking, reading, and writing Swahili, and will learn how to use it appropriately in East African culture.  The use of English in the classroom will be kept to a minimum.  The course also provides an introduction to the geography and history of East Africa.  This course is particularly useful for students who intend to visit Kenya, Tanzania, or Uganda, because its linguistic and cross-cultural training will give them the resources to maximize such an experience. This course counts as elective credit towards the African Studies minor. Dr. Waithera is an intellectual entrepreneur and an educator. She was the recipient of the 2010 Carolina Chiron Award for excellent teaching & dedication to students, an award inspired by the late Randy Pausch’s famous last lecture. Gave her own version of a last lecture entitled, “Humanizing the continent of Africa: Demystifying Myths & Stereotypes that Encroach it”. Her writings span diverse fields-The intersection of pathogens and women’s vulnerability to HIV/AIDS, Gender, and African languages.

Race, Exile, and Immigration: Africa and Western World As George Lamming put it, to be in exile is to be alive, especially when the exile is a person of colonial orientation who has experienced a sense of alienation resulting from the imposition of foreign codes on his/her culture. In this course, we will explore otherness, the gaze, and the myth of immigration and/or exile. We will study creative writings, essays, and films produced by artists who are made to feel a sense of exile or strangeness. Problems inherent to physical and intellectual displacement/exile of the colonized in colonial and postcolonial eras will also be examined.

Khuram Hussain

Laurie Essig

Jerry Philogene

James Sanchez

Marguerite Lenius

Olga Sanchez Saltveit

Jim Ralph

Dima Ayoub

Natasha Ngaiza

Stephen Hoffman

Waithera Roki

Carolyn Finney

Enrique Garcia

Melissa Hammerle

Jasmin Msuya

Christal Brown

Viola Huang

Christina Johnston

Elsa Mendoza

Jacob Tropp

Raquel Albarran

Kemi Fuentes-George

Tara Affolter

Ambroise Kom

William Nash

Nnenna Onyima

Khyree Davis

Eric Cheuk

Matthew Schrader

Yumna Siddiqi

Darien Davis

Daniel Silva

Jonathan Miller-Lane

Read 125 reviews for Black Studies courses at Middlebury College. Find the best Black Studies professors and courses.  Discover your new major today!

Erik Cheuk was extremely passionate and knowledgeable about the material. With that being said I really didn't enjoy the way he instructed the class. He assigns readings for every class, and every class consists of 1 1/2 hours of discussion with 0 lecturing. He tried his best to facilitate discussion but it was very theoretical and deep material that he just expected students in an intro level class to grasp and have productive discussions on. It was pretty clear that about 2/3 of the class was just speaking jargon in hopes that it would be a plausible answer. I think Cheuk is a nice guy and wanted his students to succeed, I just don't think they were set up to do so.

The course was very interesting and fun. You learn about how schooling works and reflect on your own. It was very discussion based and project based with a few tests. Hammerle is very nice and is always willing to help.

This class was by far the easiest class I have taken at Midd. The expectations for projects were incredibly low, and I spent minimal time outside of class doing readings. Class discussions were quite circular and felt as if the entire class was competing to see who could create the most far-fetched critical analysis of a film, even if there was no real substance. Natasha Ngaiza is incredibly kind to students, but this class needs more direction.