Theatre Production and Design Techniques (Half credit) In this course students who are collaborating on thesis 500/700 productions in the role of designers, technicians, or stage managers will be mentored by the theatre faculty and staff on a variety of topics as needed by their productions. Students will learn to manage resources of time, budget, and labor in collaboration with the artistic and technical team.  Round table style discussions, journaling and experiential work will be tailored to specific production needs ultimately culminating in a realized thesis production. We will talk about the next steps beyond what it taught in a design class and talk about the technical needs of producing a theatrical design in real life.

Spring Production Studio: Design In preparing two fully produced theatrical productions for the stage, students will participate in and be exposed to professional production practices in all areas of theatrical design, including sets, costumes, props, lights, and sound. Students will be involved in planning, building, painting, constructing, and running and striking of shows. More advanced students may speak to the professors about taking on special projects, but those with little or no experience backstage are very much encouraged to participate. 8 hrs. lab

Costume Design II: Advanced In this course we will continue exploration of costume design and figure illustration. Design projects will focus on the further development of students' graphic and conceptual abilities. A range of work will be encountered, including modern dress, period realism, and fantasy.

Middlebury’s Historic Clothing Collection: Conservation, Documentation, and Interpretation Practicum Middlebury College is the proud owner of an historic teaching collection of over 400 pieces of antique clothing and accessories. However, the collection is poorly curated and remains largely hidden, stored away in the lower level of Wright Theatre. In this practicum/seminar, students will inventory and document the collection with the expertise of a textile historian and a costume designer; further conserve and physically stabilize the collection by improving its storage; and update and expand the online database, making the entire collection digitally available to on- and off- campus audiences alike.

In preparing a fully produced theatrical production for the stage, students will participate in and be exposed to professional production practices in all areas of theatrical design, including sets, costumes, props, lights, and sound. Students will be involved in planning, building, painting, constructing, and running and striking of shows. More advanced students may speak to the professors about taking on special projects, but those with little or no experience backstage are very much encouraged to participate. 8 hrs. lab

Costume Design I: Beginning This introductory course will explore the art and practice of costume design for the theatre. Topics will include the psychology of dress, play-script and character analysis, concept development, historical period research, figure drawing, and fabric considerations. Evaluation will be conducted through critique, class discussions and design presentations to the class. In this course we will not be discussing fashion design or project runway and we will not be discussing sewing techniques.

The Creative Process In this course, students will have the opportunity to dig deeply into their own creativity and explore the processes by which ideas emerge and are given shape in the arts. The experiential nature of this course integrates cognition and action, mind and body.  Students will engage in a range of modes of discovering, knowing, and communicating, which are designed to push them beyond their present state of awareness and level of confidence in their creative power.  Practical work will be closely accompanied by readings and journaling, culminating with the creation and performance of a short project.

History of Western Dress: 1300-Present This course will address the changing ways in which societies have clothed the human body since the phenomenon of fashion in Western dress began during the late Middle Ages. Slides, readings, and video clips will be used to examine the ways in which evolving styles of dress reflect the social and political values of a society.

Summer Jack

Reviews and ratings for Summer Jack at Middlebury College.Summer Jack teaches Theatre Production and Design, Spring Production Studio: Des, Costume Design II: Advanced and more.  Explore top rated instructors and find the best for you.Is Summer Jack good ? Find out on MiddCourses.

Professor Summer Jack is very kind, and we have the opportunity to create something related to the lecture, such as a hat, robe, or drawing. We had a collaborative class with the French Department and attended a theater performance.

Absolutely loved this class. If you're looking for a class to get rid of art credit, I highly recommend taking this class! Professor Jack would also always bring her dog to class, which was lovely. In terms of classwork, it's primarily various kinds of drawing, and then 2 papers that were kind of tedious and long to write based on a play you watched, but were relatively easy.

Wow! Summer jack was absolutely a fine instructor. Her class was engaging, low stakes, and allowed students to really be creative in a lot of ways. I think that it was special that she let me join the class late after dropping CHEM, and was overall very accomodating and allowed me to explore non-western dress. Great course