Hispanic Film The cinema is a space of social interaction, of entertainment, of bodily (dis)pleasure, of cultural critique, of commerce, of many things. In this course we will study, with a focus on comparative analysis, the text and context of films produced throughout the Hispanic world. Through examining the work of filmmakers from diverse backgrounds, we will closely analyze film form and engage key debates in film theory such as authorship, genre (comedy, documentary, melodrama, etc.), and (trans)national cinema, as well as explore the ways in which class, culture, disability, history, politics, race, and sexuality are represented cinematically. Critical, scholarly, and theoretical readings will supplement film viewings.

Superhero Parodies In this class we will discuss how the superhero/adventure genre in comic books was initially constructed as a mouthpiece of traditionalist nationalist values in the United States and Spain. Through the study of theories of intertextuality and postcolonial theory, students will analyze how Hispanic/Latin comic book creators from Europe and the Americas have parodied the hegemonic values that have influenced our views of economics, gender, and race with the goals of bringing diversity and inclusion in this particular graphic narrative genre.

Intermediate Spanish This accelerated course is designed to review, reinforce, and consolidate the linguistic structures that students need in order to reach the intermediate level of proficiency in Spanish. A grammar review will accompany intensive language acquisition, vocabulary expansion, readings, discussions, and compositions.

Hispanic Musical Films In this course we will study Hispanic musical films (including fiction and documentaries) from Spain, Latin America, and the United States. Our main goal will be to understand how Hispanic countries use this cinematic genre to establish nationalist constructions and ideologies, and how this has consequently affected the development of Hispanic musical narratives in the United States. Analyses will focus on how different ethnic aspects are defined as 'Other' in musical genres such as Flamenco, Tango, Rancheras, Tex-Mex, Salsa, Reggaeton, Merengue, and Spanish Rock. We will explore why Hispanic musicals are perceived as exotic in relation to their Anglophone counterparts while studying films such as Buena Vista Social Club, Allá en el rancho grande, Selena, and El día que me quieras.

Hispanic Athletes: Sports, Nationalist Culture, and the Global Media In this course, we will study sports as an essential part in the construction of nationalist pride and perceptions of race, class, and gender in several Hispanic nation-states and subcultures in Europe and the Americas.  We will analyze fictional narrative content such as literature and films (Pepe el Toro, Sugar, Black Diamonds, and many others). In addition, we will also explore how media outlets such as newspapers, magazines, videogames, documentaries, and the internet affect our perceptions of sporting events and their superstars to create controversies, support hegemonic nationalist ideas, and further the commercial ambitions of corporations.

Exploring Orientalist Adventures in the Americas In this class we will study 20th and 21st century adventure narratives from the Americas to explore how artists have struggled to represent Asian or Middle East cultures within or against Western imperialist ideologies. We will use Edward Said’s seminal work Orientalism as a theoretical framework and study how racist narratives are predominant within our industrial mass media (radio, serials, films, comic books, social media, and streaming services). Furthermore, we will explore how new gender and race paradigms have provided space for adventure narratives that attempt to dismantle the biases against Asian citizens in the Americas. This class will cover from Martial Arts narratives in the United States to Mexican Geisha comic books to Argentinean adventures in the Middle East.

Intermediate Spanish II A course for students seeking to perfect their academic writing skills in Spanish. The course is also an introduction to literary analysis and critical writing and will include reading and oral discussion of literary texts. The course will also include a thorough review of grammar at a fairly advanced level. This course may be used to fulfill the foreign languages distribution requirement.

Afro-Caribbean Music Genres In this course we will study Afro-Caribbean music genres (eg, reggae, mambo, salsa, merengue, reggaeton, and calypso) and their impact within the region and on the global stage. Our main goal will be to compare the contested theoretical concept of cultural hybridity among the larger Caribbean nations (Haiti, Cuba, Jamaica, Puerto Rico, Trinidad and Tobago, and the Dominican Republic) and their diasporas. We will also explore how Caribbean musicians and superstars work within the global infrastructure of the music/dance industry, while occasionally managing to counter the hegemonic erasure of the legacy of Black rebellion, worker revolution, nationalism, and racial/gender politics. (SPAN 0220 or 300 level Spanish course) 3 hrs. lect

Beginning Spanish II This course is a continuation of SPAN 0101. Intensive reading, writing, and oral activities will advance students’ proficiency in Spanish in an academic setting.

Enrique Garcia

Reviews and ratings for Enrique Garcia at Middlebury College.Enrique Garcia teaches Hispanic Film, Superhero Parodies, Intermediate Spanish and more.  Explore top rated instructors and find the best for you.Is Enrique Garcia good ? Find out on MiddCourses.

This class is excellent and Enrique is an amazing proffesor, but it really felt like no one did the readings or the screenings. This class is perfect if you want to get by and get a good grade, but not if you want to learn or improve your Spanish. 

I enjoyed Profe's class. the material is certainly niche so new and exciting, but fun to follow and explore. Profe Garcia really cares for his students and is committed to bringing all of his students new perspectives filled with his love for the subject.

This class is great if you want a chill fun vibe, but to be honest you learn absolutely no Spanish. Most of the movies have english subtitles, pretty much all the readings are in english, and during lecture the professor (Enrique) will just talk in spanglish the whole time. You have to write a page-long response for each movie, but as long as you turn it in sometime during the semester (doesn't have to be on time) you'll get an A on it. Enrique was receiving an award for his Dad's induction into the Puerto Rican volleyball hall of fame and so was gone for a large chunk of the semester. He said we'd have a final. We didn't have a final. 