Intermediate Chinese This course is a continuation of the first term's work, with the class conducted primarily in Chinese.

Introduction to World Literature This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods.

Intermediate Chinese This course is designed to enable the student to converse in everyday Chinese and to read simple texts in Chinese (both traditional and simplified characters). Discussion of assigned readings will be conducted primarily in Chinese. Familiarity with the vocabulary and grammar introduced in CHNS 0101, CHNS 0102, and CHNS 0103 is assumed. Grammatical explanations, written exercises, dictation quizzes, sentence patterns, oral drill, and online video and audio will accompany assignments. By the completion of CHNS 0202, which follows CHNS 0201 directly, students should be able to read and write approximately 1,200 characters.

The Chinese Literary Tradition (in translation) This course, an introduction to the works of literature that formed the basis of traditional Chinese culture, is a discussion-based seminar. It focuses first on texts written in classical Chinese from the earliest times up through the Song dynasty, including selections from early poetry and history, Daoist classics, stories of the strange, and Tang Dynasty poetry by Wang Wei, Li Bai and Du Fu. These texts shaped the traditional Chinese understanding of the world, and provided models of what was perceived to be powerful, beautiful language.  In the second part of the course we will explore narratives written in the vernacular language, focusing on the literary significance and aesthetic value of drama, stories and novels long treasured by the Chinese. Students will gain a better understanding of traditional Chinese literary values, as well as Chinese society and worldviews.

Traditional Chinese Poetry (in translation) Introducing the basics of Chinese poetics, this junior/sophomore discussion-based seminar explores inter-connections across a wide spectrum of Chinese poetry belonging to a vibrant tradition spanning more than two thousand years--folk songs; court rhapsodies; courtesan love poems; extended allegorical fantasies; ballads and lyric verse of love, war, friendship, loss, and separation. Landscape, travel, romantic and metaphysical poems by masters such as Qu Yuan, Tao Yuanming, Wang Wei, Li Bai, Du Fu, Su Dongpo and Li Qingzhao will be studied. We will analyze poetic expression ranging from poetic genres following strict formal conventions to relatively free-form verse. Traditional Chinese literary theories regarding poetry and its appreciation will be considered, yet students will also be encouraged to apply other critical approaches.

Early Chinese Novels (in translation) This seminar focuses on pre-modern Chinese full-length novels, which rose and matured during the Ming-Qing period. Students will read from the "masterworks" of this genre, including Three Kingdoms (the epic deeds of heroes of the Chinese civil war of the second and third centuries), Outlaws of the Marsh (picaresque tales of Chinese Robin Hoods, as it were), The Journey to the West (a comic Buddhist-Daoist allegory better known in English as Monkey), The Plum in the Golden Vase (an erotic novel of manners), and The Story of the Stone-The Dream of the Red Chamber (widely recognized as a masterpiece of world literature); all are beloved and long treasured by the Chinese. We will also read an eighteenth century detective novel, Celebrated Cases of Judge Dee. We will not only trace the evolution of classical Chinese novels and consider their literary significance and artistic value; the course will also aim to provide a richer and deeper understanding of traditional China's history, society, culture, worldviews, beliefs, and sense of humor.

Beginning Chinese An intensive continuation of CHNS 0101, this course is required of those wishing to take CHNS 0103 in the spring.  Students may anticipate learning a significant amount of new vocabulary, sentence patterns and idiomatic expressions.  Skits, oral presentations, writing assignments, and cultural activities are also part of this course.

Myth and Cosmology The course will trace the early development of thought and meaning, introducing some of the fundamental concepts underlying ancient ways of approaching the world. We will approach the subject with a comparative view, studying, for example, the Chinese, Judeo-Christian, Hindu, Navaho and Maori creation traditions, Chinese cosmology, divination systems of East Asian and African nations, and the rich symbolism that emerged out of some of the major centers of ancient civilization. Through our reading of myths, scholarly writings, and literary works, we will explore the ways China and various other cultures understood and dealt with the world around them, from flood myths to astrology, from the Yijing to omens and geomancy. We will learn about the place of story in the formation of worldview, particularly in notions of the place of humans in the world.

Beginning Chinese This course is a continuation of the fall and winter terms with accelerated introduction of vocabulary, grammar, and sentence patterns designed to facilitate speaking and reading. Toward the end of this semester students will read Huarshang de meiren (Lady in the Painting), a short book written entirely in Chinese.

Carrie Wiebe

Reviews and ratings for Carrie Wiebe at Middlebury College.Carrie Wiebe teaches Intermediate Chinese II, Intro to World Literature, Intermed Chinese Intermediate Chinese and more.  Explore top rated instructors and find the best for you.Is Carrie Wiebe good ? Find out on MiddCourses.

If you have gotten this far with Middlebury Chinese, you already know the deal. This is a buckle-in situation. You will learn a lot from this course, however there is quite a bit of homework and the material is slightly dated. It is worth taking this course to be able to do summer school!

Carrie was very kind and always allowed for extensions if students needed it. There were four papers throughout the semester, and we only needed to write 3. We got a rewrite for them as well. That made for clear expectations. There were lots of discussions and participation was important, but I enjoyed the content. 

If you have taken Chinese 201, expect more of the same here. Professor Wiebe and Zhang were a great duo, and amazing at introducing content and answering questions. Professor Wiebie was very understanding and helpful. If you have any troubles keeping up with homework or content, just ask and she will be more than helpful. 