The Literature of the People's Republic of China (in English) In this course we will read a selection of significant short stories, novels, and plays published in the People’s Republic of China from its founding in 1949 to the present. We will begin with a look at the Maoist period and then study fiction and nonfiction that reflects on the Cultural Revolution (1966-1976), experimental fiction, literary responses to the events of June 4, 1989, popular literature, environmental literature, women’s writing, stories from or about Tibet and Xinjiang, and science fiction. This is a College Writing course, and each student will write a draft and final version of a research paper, an analytical essay, and a creative work or translation.

Documentary Film in Contemporary China In China since the 1980s, new political and socio-economic realities, along with new technologies, created conditions for the emergence of the New Documentary Movement, the collective achievement of a group of artists with new ideas about what the form and function of nonfiction film should be. We will screen and discuss select contemporary Chinese documentary films, place these films in the context of global documentary film history, and learn methods for the analysis of nonfiction film. We will “read” each film closely, and also study secondary sources to learn about the Chinese realities that each film documents.

Documentary Film in Contemporary China  In China since the 1980s, new political and socio-economic realities, along with new technologies, created conditions for the emergence of the New Documentary Movement, the collective achievement of a group of artists with new ideas about what the form and function of nonfiction film should be.  We will screen and discuss select contemporary Chinese documentary films, place these films in the context of global documentary film history, and learn methods for the analysis of nonfiction film.  We will "read" each film closely, and also study secondary sources to learn about the Chinese realities that each film documents.

Beginning Chinese An intensive continuation of CHNS 0101, this course is required of those wishing to take CHNS 0103 in the spring.  Students may anticipate learning a significant amount of new vocabulary, sentence patterns and idiomatic expressions.  Skits, oral presentations, writing assignments, and cultural activities are also part of this course.

Introduction to Contemporary Chinese Culture, Politics, and Society Is China poised to rule the world? Are we already living in the shadow of China’s economic dominance?  Is China’s soft power transforming global culture? Is China a fragile superpower? In this seminar we will prepare to answer these questions, all of which have been raised in recently published books, by studying some of the important people, events, ideas, stories, and films in 20th- and 21st-century China. Our inquiry will be guided by the assumption that we cannot understand what China’s rise means until we acquire a basic understanding of Chinese culture, politics, and society.

Chinese Cinema This course, taught in English, surveys the history of movies in China since the 1930s and also offers an in-depth look at the work of: China's fifth-generation directors of the 1980s and their successors up to the present; Taiwan's new wave; and Hong Kong popular cinema, including martial arts film. Our focus is the screening and discussion of films such as The Goddess (a 1934 silent classic), Stage Sisters (1965; directed by the influential Xie Jin), the controversial Yellow Earth (1984), In the Heat of the Sun (a 1994 break with the conventional representation of the Cultural Revolution), Yang Dechang's masterpiece A One and a Two (2000), and Still Life (Jia Zhangke's 2006 meditation on displacement near the Three Gorges Dam). The course is designed to help students understand the place of cinema in Chinese culture and develop the analytical tools necessary for the informed viewing and study of Chinese film. We will look at everything from art film, to underground film, to recent box office hits. (No prerequisites) One evening film screening per week.

Literature and Culture in Contemporary China and the Sinophone World (in English translation) In this course we will study select works of acclaimed, popular, and/or controversial short fiction, spoken drama, and poetry from the People’s Republic of China and the post-1949 Sinophone world, primarily Taiwan. We will devote some attention to other forms of cultural production, including film and visual art. We will place a particular emphasis on the study of work by Chinese and Sinophone writers and artists who belong to non-Han ethnic minority groups (e.g., Tibetan, Yi, and Atayal), and we will explore possible answers to the question, “How is Chinese national and cultural identity created and contested in literature?”

Modern China through Literature (in translation) This course, taught in English, is a discussion-based seminar on some of the most significant works of short fiction, novellas, and novels that tell the story of China and the Chinese from the end of the Qing dynasty to the present. Students will gain a better understanding of the history of modern China by studying the works of literature that inspired readers and provoked debate during one hundred years of social reform, revolution, war, civil war, reconstruction, cultural revolution, cultural revival, and economic growth. Our reading will include work by authors such as Lu Xun (Diary of a Madman, 1918), Zhang Ailing (Love in a Fallen City, 1944), Ah Cheng (The Chess King, 1984), Yu Hua (To Live, 1993), and, from Taiwan, Zhu Tianwen (Notes of a Desolate Man, 1999). We will consider the mainstream (socially engaged realism), the avant-garde (varieties of modernism), and popular genres (romance and martial arts), and we will look for answers to the following questions: what has been the place of fiction in China in the modern era and what vision of modern China do we find in its fiction?

Intermediate Chinese This course is a continuation of the first term's work, with the class conducted primarily in Chinese.

Intermediate Chinese This course is designed to enable the student to converse in everyday Chinese and to read simple texts in Chinese (both traditional and simplified characters). Discussion of assigned readings will be conducted primarily in Chinese. Familiarity with the vocabulary and grammar introduced in CHNS 0101, CHNS 0102, and CHNS 0103 is assumed. Grammatical explanations, written exercises, dictation quizzes, sentence patterns, oral drill, and online video and audio will accompany assignments. By the completion of CHNS 0202, which follows CHNS 0201 directly, students should be able to read and write approximately 1,200 characters.

Thomas Moran

Reviews and ratings for Thomas Moran at Middlebury College.Thomas Moran teaches The Literature of the PRC, Documentary Film in Cont China, Continued Beginning Chinese and more.  Explore top rated instructors and find the best for you.Is Thomas Moran good ? Find out on MiddCourses.

The BEST professor I've ever had in my life. Prof. Moran knows a lot about Chinese culture, history, and literature. You can learn a lot from him and his experience. Also his assignments are really "liberal" that you can express yourselves freely and he is willing to give you valuable support.

the films that this course revolved around allowed me to gain insight into various elements of chinese culture, and the behaviors of chinese society as manifested through film. as film is a very popular form of self expression, i was able to undertand more about chinese culture in different time periods. 

Professor Moran is one of my favorite professors on campus. He's very engaged in the material and leaves a lot of room for discussion in his classes. He offers great feedback on written assignments and is a fair grader. He also gives you flexibility in his assignments. We had the option to write essays or make a short film for the final. Overall a great experience, and I'd recommend this class to anyone who want's to learn about China.