Botanical Illustration: The Art of Science, The Science of Art The natural diversity of plants and the adaptations they possess is awe-inspiring and has been the subject of botanical illustration for thousands of years. In this course students will develop fundamental artistic techniques for capturing plant forms using a variety of artistic methods (graphite, charcoal, silver point, ink, watercolor) and a diversity of living plant specimens. Students will learn how to represent the broad scale of botanical diversity, from the shapes of trees via field-based journaling to the cells of mosses via microscopy-to-paper transcription. Students will develop a practice of close observation that challenges their assumptions of how they see the natural world, will master faithful transformation of 3D natural forms to 2D, and will be challenged to apply plant anatomical knowledge and form-function relationships to develop scientifically accurate, publication-quality illustrations in a feedback-rich studio environment.

Figure Drawing I: The Human Body as Expression Depictions of the human are the longest historical record of our species. In this course we will learn to draw the human body as a key to unlocking that history and your imagination, to create new cultural stories. We will apply foundational knowledge obtained via deep analysis of skeletal/muscular anatomy to axioms of drawing including spatial reasoning using principles of geometry to depict the nude human form from life. You will learn to pictorialize figures meeting your creative intentions using inks, graphite, charcoal, and acrylics. Weekly lectures will survey figurative representation throughout the history of global art. Labs include application of linear perspective, movement, clothing, and implications of adornment. All levels; no pre-req; Content is connective to programs including Dance, Theater, History, and Philosophy. Lecture/Lab

Painting the Human Face In this lecture and lab course we will create drawings and paintings of the human visage. Our class begins with an in-depth anatomical study of the human head, neck, and upper torso. This will lead us to analyze ways previous art of America and Europe has mapped forms of the human face to communicate expressive content in painting. Then, using oil paint on paper, panel, and canvas we will work from the live model to design our own contemporary images of human beings. Our goals will be imaginative expression of psychologies of those we depict and the stories they project.

The Art of Science: Drawing Nature's Forms In this studio course we will draw from life. Before the advent of photography, natural history art, in addition to celebrating nature’s beauty, served as an important translator of scientific knowledge. The College’s rich natural history collections (mounted specimens, preserved specimens, eggs, study skins, skeletons, herbaria, live specimens in the greenhouse, etc.) will become both our laboratory and studio where we will investigate, inspect, and record nature, and gain inspiration from it. We will acquire knowledge of natural forms through sustained direct observation and drawing. Artistic media will include graphite, charcoal, gouache, watercolor, ink, and tempera. We will examine examples of natural history art from cultures around the world, from its beginnings to today’s digital scientific illustration. No prerequisites.  Kate Gridley is an award-winning artist whose works are in museums and private collections in the U.S. and abroad. Her work includes portraiture, landscapes, still-lives and botanical illustration in an array of media, including oil paint, graphite, pastel, watercolor, gouache, and egg tempera. Website: kategridley.com

Kate Gridley

Reviews and ratings for Kate Gridley at Middlebury College.Kate Gridley teaches Botanical Illustration, Figure Drawing I, Painting the Human Face and more.  Explore top rated instructors and find the best for you.Is Kate Gridley good ? Find out on MiddCourses.

This course was amazing. It was accommodating for every level of artist and Kate Gridley made the long studio sessions lively and fun, with constant models and challenges presented to help eveyone get better at drawing, painting, and watercolor. 

Kate was great, I just believe she isn't the best on giving feedback to those who are just starting to learn the arts, but if you do take this course I can say with certainty that you will be leaving knowing how to draw!

Literally just drew every day for like 3 hours. Take home sketchbook supposed to sketch in for an hour every day. Two field trips to museums to draw. A fee times through the month we would share everything we had drawn with the class. Bigger final project as well. 