Culture as Creative Process This course is designed for students from a broad range of backgrounds and academic disciplines who are interested in developing their unique creative process, researching their cultural history, and creating and revising performance projects that reflect the intersection of the two. Improvisatory tools and guided imagery provide methods for developing creative work. Weekly workshops in movement from the African diaspora, regular journaling, work-in-progress showings, and feedback sessions add further depth. Students will also generate a bibliography relating to their cultural history and present the results of their research in written form. (This course can count for dance and theatre majors as ARDV 0116).

Technique Workshop This advanced physical and theoretical study of a variety of movement techniques will further prepare dance majors and minors for the rigors of performance, technical craft, and physical research.  Exercises and discussions will revolve around increased subtlety, strength, flexibility, musicality, and dynamics with the goal of heightening the communicative range of the moving body.  Rotating movement aesthetics taught by dance faculty. (Major/Minor Only)

Intermediate/Advanced Dance I This course involves concentrated intermediate-advanced level work in contemporary dance technique and choreography culminating in production. Theoretical issues of importance to the dancer/choreographer are addressed through readings, writings and practice.

Dance Company of Middlebury Dancers work with the artistic director and guest choreographers as part of a dance company, learning, interpreting, rehearsing, and performing repertory dances. Those receiving credit can  expect daily rehearsals  plus technique classes, campus performance, and tour. Appropriate written work is required. Auditions are held in the fall semester for the full year; one credit will be given for two semesters of participation.

From Africa to the Americas: Moving from Our Core This course is an introduction to dance emphasizing the influence of traditions from the African Diaspora on contemporary modern dance. Technique sessions incorporate styles from West Africa and Central and South America with performance work. Discussion of readings on the history and current practice of movement forms originating in Africa, as well as on the work of artists developing fusion styles, supports written and creative work. Compositional studies explore the intersection between technique, history/theory, and performance.

Dance Company of Middlebury Dancers work with the artistic director and guest choreographer as a member of a dance company, learning, interpreting, rehearsing, and performing dances created for performance and tour. Those receiving credit can expect four to six rehearsals weekly. Appropriate written work, concert and film viewing, and attendance in departmental technique classes are required. One credit will be given for two terms of participation. Performances and tour(s) are scheduled in January. (Limited to sophomores through seniors, by audition.)

Christal Brown

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Christal Brown

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