Writing Gender and Sexuality In this course we will read, discuss, and write creative works that explore issues of gender and sexuality. Readings will include stories, poems, and essays by James Baldwin, Ana Castillo, Peggy Munson, Eli Claire, Alice Walker, Michelle Tea, Alison Bechdel, and others. The course will include writing workshops with peers and individual meetings with the instructor. Every student will revise a range of pieces across genres and produce a final portfolio. We will do some contemplative work and will engage with choreographer to explore movement in conversation with writing, gender, and sex.

Feminist Joy In this course we will examine a range of discourses about pleasure, happiness, and joy as well as explore these topics more experientially. How have feminists interrupted gendered, raced, and ableist notions of happiness? As Sara Ahmed asks, can there be joy in being the “killjoy”? What is the role of laughter and joy in survival, anti-oppression work, and healing from trauma? We will trace the "pleasurable feminisms" of leading Black feminists and sex positive feminists such as Audre Lorde, adrienne maree brown, Alexis Pauline Gumbs, Gayle Rubin, Betty Dodson, as well as investigate our own inherited and intentional perceptions of pleasure. Assignments will include research, writing and workshops.

English Language in Global Context In this course we will discuss and write about the dominance of English in the global landscape. Course readings and films offer an interdisciplinary approach to the topic. We will begin the course with a geographic and historical overview of World Englishes and then will examine the impact of English language dominance on individuals and societies, emphasizing themes such as migration, globalization, education, and identity. Throughout the course, we will explore the relevance of these issues to educators, linguists, and policy-makers around the world.

Writing and Power Power: who has it, who doesn’t, and what does it have to do with your writing? This course both instructs students in how to access power in academic contexts and to critique power structures. We’ll learn how power connects to literacy, and how it's shaped through rhetorical contexts. Students will explore their own power as writers and thinkers while engaging in meaningful personal, reflective and argumentative writing. The professor will work with each student extensively on their writing process and development, and we'll create a writing community. This course bears elective credit but does not fulfill the college writing requirement.

Writing Race and Class In this course we will take a literary and intersectional approach to topics of race and class. Readings include stories, essays, poems and videos by writers such as James Baldwin, Audre Lorde, Gloria Anzaldúa and Kelly Tsai. Students will respond to critical and creative writing prompts, conduct fieldwork, and design two writing projects of their own. The class format will include conversations with guest writers, writing workshops, contemplative activities, and individual conferences with the instructor. Students will preferably have prior experience in discussing issues of race and class, although introductory theories will be made available to provide frameworks for discussion.

Outlaw Women In this course we will read and discuss literary texts that feature women who defy social norms: daring survivors, scholars, “whores,” queers, artists, servants, revolutionaries. Texts include Powell’s The Pagoda, Duras’s The Lover, Lorde’s Zami, and Nafisi's Reading Lolita in Tehran. The course will take postcolonial and global approaches to desire and difference and to narratives of resistance, rescue and freedom. We will discuss rhetorical practices, such as écriture féminine, and readerships, such as women’s book groups, through a transnational lense. Students will develop their critical imaginations through discussion, contemplation, research, and analytical and creative writing.

Catharine Wright

Reviews and ratings for Catharine Wright at Middlebury College.Catharine Wright teaches Writing Gender & Sexuality, Feminist Joy, English Lang in Global Context and more.  Explore top rated instructors and find the best for you.Is Catharine Wright good ? Find out on MiddCourses.

This has been my favorite class this semester. The topics we tackled have been thought-provoking and very engaging. In this class, I could feel a strong sense of community from the very beginning. Catharine gives relevant feedback all the time and if you follow it, you will be successful in this class. You definitely have to enjoy writing, be open-minded and ready to critically think on feminist topics, ranging from the most theoretical ideologies to the most raw and graphic literature. You will always receive an extension if you need it. There is quite a bit of group-work as well. Over all, I know that that this class will remain a highlight of my Midd experience. The GSFS department has the best people!!

Prof Wright was an extremely accommodating professor and would always make time to provide helpful feedback for work. It's very clear she is passionate about the subject, and allows students to lead the conversations. If I had to only take one class for the rest of college, I would chose to take this one. 

Catharine was a very kind and accommodating professor. The readings were very manageable and the homework was consistent but never too demanding. The class is broken down into 3 major assignments. It is more of an introductory writing class for those looking to strengthen their writing in various genres.